Devenir máscara: improvisación teatral, configuración de otras formas de existir y procesos de desubjetivación

Abstract

The text addresses the phenomenon of desubjectivation in the context of theatrical improvisation, highlighting how this process challenges traditional notions of individuality and proposes an exploration of multiplicities of expression and experience. It focuses on the resistance of women from Bogotá to conventional forms of subjectivity, as well as their ability to challenge and transform political reality through theatrical practice. The importance of language as a tool for experimentation and the construction of new forms of relationship and interaction is emphasized, as well as for the visibility of shared experiences that defy pre-established gender roles.