Fábula, danza y teatro de la crueldad

Abstract

The present investigation has as its starting point and antecedent an aesthetic and philosophical affinity that arose in the classes of the deepening in Dance-theater with the postulates of Antonin Artaud: actor, director, poet and thinker (France 1846-1948), mainly those that stand out in the book "the theater and its double" 1938 in which Artaud condenses the components of his proposal "the theater of cruelty". Thus, this project adds to the interest of putting into practice in an experimental way the Artaudian theory of theater from contemporary dance, understanding the conceptual and practical differentiation of each language as an optimal condition from 2 which this research seeks to find and formulate different types and degrees of relationship condensed in the staging.