Descripción, análisis y adaptación del pasillo “el cafetero” y el bambuco “Bochica” para el arpa llanera, a partir de las referencias en las formas interpretativas del joropo llanero y la polca paraguaya en arpa

Abstract

This work addresses the adaptation of the bambuco and the pasillo to the language of the llanera harp as a central theme, understanding and analyzing these genres from 2 of their traditional works, contrasting their forms and accompaniment patterns with those of the llanero passage and the Paraguayan polka on the harp. This in order to help Llanero harpists to achieve interpretive results that are closer to the original roots of these genres of Colombian Andean music. The work is presented within the creation or interpretation modality, where in addition to exposing and analyzing the instrument and the basic structures of the genres mentioned above, it presents arrangements and interpretation of the 2 traditional works selected towards a new sound format with Harp, Tiple and Double bass.