Pulsión, investigación creación basado en experiencias sensibles

Abstract

This degree thesis presents a creation research carried out through the process of creating a dance staging, this being the central element, since intentions given in relation to some concepts related to artistic creation converge, together with the experience itself of co-creation. This text presents in principle a conceptual journey that lays the foundations of the forms of work and models decision-making within the creative process, based on four creative principles that are described and of which a succinct archeology is carried out, these are : chaos, chance, intersensitivity and improvisation. This conceptual journey is a fabric between my research interests, my creative experience and my life experience, especially in pedagogical and dance settings. On the other hand, a methodological design is carried out that will later be the starting point of the creative process, this is made up of five sensory exploration guides, each focused on a sense (taste, smell, hearing, touch and vision) accompanied by a instructive for the counselor. This material, although designed with simplicity, embodies all the exposed conceptual heritage and also intends to function as a trigger in any disciplinary or creative scenario. Below is a blog that details the process of exploration and creation generated from the methodological proposal designed, in co-creation with the dancers and the lighting technician. Finally, and as a general result of the process, an analysis of the creative process and the staging is presented, focused on its relationship with the methodological proposal made and with the proposed conceptual framework. This is how Pulsion arises, both as a staging and in its face of creation research, based on sensitive experiences.