Interpretación de tres arreglos compositivos, que integran varios géneros, del eje de los llanos colombo venezolanos, con aportes de elementos de las músicas urbanas

Abstract

Alongside the need to transmit different musical languages, phenomena such as interpretation, composition, arrangements, and fusion occur, giving birth to new genres, subgenres, and musical styles. There are musical references of the Colombian-Venezuelan Llanera musical tradition, recorded in transcriptions of texts and scores, and digital audiovisual media where specific musical forms are evidenced, called: Golpes and Pasajes. Within the Llanera region, according to musicology and ethnomusicology research, JOROPO is the term designated by those who have lived within its musical tradition since ancestral periods, thus enumerating Colombian-Venezuelan Llanera music within what is understood by classification of regional musics. Urban musics allude to an enormous and universal amount of genres and musical styles, taking into account the socio-economic development of small and large cities, mentioning genres such as: ROCK, JAZZ, BLUES, FUNK, DISCO, POP, etc. It may be at least a vague idea of what, in the imagination of most of Western society, urban music means; however, history demonstrates that before the existence of cities, human beings brought musical arts attached to their development. An evident and recent example is the cotton plantations in the southern states of the United States in the 18th century, where African slaves gave birth to the origins of the Blues, through the process of transculturation of the different currents that gathered and mixed in North America during the period of European colonization3. Within the framework of current urban popular musics, different types of research have also been carried out where: Urban genres, are defined.