Aproximación a un método basado en la escritura para la composición en danza en la elaboración de la obra Alejandra, del otro lado de la noche

Abstract

The present report compiles the research-creation process carried out around the construction of a creative method based on writing for dance composition and the procedures carried out for the writing of the dance text, a type of structure that proposes to contain the dramaturgy writing of a dance work and useful categories to carry out a process of assembly and subsequent choreographic composition. On the structure of the dance text is written the work Alejandra, del otro lado de la noche, whose methodology is consigned in this report and denominated as a creative writing laboratory, contains the procedures according to which the literary work is adapted to a scenic format and some findings of analysis about the poetics of the author Alejandra Pizarnik according to the dramaturgical and narrative needs of the work. This report also compiles the methodology used in the process of staging the work in a later stage called creative laboratory of scenic staging, focused on the scenic materialization of the work and its translation from dance text to body, movement and choreography, as well as the final result of the staging and the aspects of production, management and circulation of the result. All this in a constant reflection on the relationship between what is written and what is experienced in the staging and the transformation that the text undergoes in this translation process.