La aportación del teatro La Candelaria de Bogotá a un esbozo de teatro musical colombiano, original y crítico. "El Ciclo musical candelario", análisis y resignificación de un opus teatral examinado desde el proyecto de transmodernidad

Abstract

The work aims to collect the one possible contribution made to the Colombian and Latin American theater by Santiago García and Teatro La Candelaria, Bogota; creators and architects of the group with the highest historical, artistic and theatrical relevance of the country. It focuses specifically on a topic the musical theater as artistic language across borders, is configured from nodal aspects in each country where it occurred. The appropriation of this kind has made the group from the perspective of the combination of 5 works (plays): Vida y Muerte Severina, Los Diez Días que Estremecieron al Mundo, Golpe de Suerte, El Diálogo del Rebusque y Guadalupe Años Sin Cuenta, which from the perspective conjunction cycle we call ciclo musical candelario, is intended here from a redefinition proceed from two distinct perspectives. One, the foundation of a theatrical language that articulates two disciplines that have historically alternated, shared and produced artistic works from the world of musical theater and music for the stage. Two, that the assumption of the themes of the works and the treatment anticipated speech transmodernidad design that fits the movement of the Philosophy of Liberation in Latin America.