Fantasía Colombiana: adaptación e interpretación de los temas colombianos Momposina, Yo Me Llamo Cumbia y Dizzy Matute, para quinteto de trompetas y sección rítmica. Descripción del proceso creativo

Abstract

The present degree work aims at adapting the works Momposina, Yo Me Llamo Cumbia and Dizzy Matute, originally written for Big Band format in the extended proposal of Puerto Candelaria, to the quintet of trumpets with rhythmic section. For this, a process was developed that included the contextualization of the pieces, their transcription and analysis of musical elements such as formal structure, harmony, melody and orchestration. Based on this analysis, the musical adaptation was carried out, making decisions related to the distribution of voices, the handling of records and the use of timbric color, in order to preserve the essence of the original works within a reduced format. Different instruments were employed as trumpets in Do, Sib, flugelhorn and piccolo trumpet, expanding the sound spectrum of the ensemble. It also discusses the experiences of the creative process and the challenges faced during adaptation. Finally, the works were performed in a scenic context, highlighting the versatility of the trumpet quintet and its potential within contemporary Colombian music.