Examinando por Materia "Instrumentos musicales andinos"
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Ítem Las prácticas culturales de los grupos Sikuris como prácticas estéticas sensibles(Universidad Francisco Jose de Caldas) Carrizosa Pérez, Saida Judith; Valderrama Gil, DilmaMy interest arises from the siku sound object, which, beyond being understood as an instrument, is also a symbol of encounter between people and space, due to its origin, transcendence, and way of interpretation. In my project, I specifically analyze the case of two groups located in Bogotá that conduct their practices in open urban spaces. From a transdisciplinary perspective, and especially within the sound plastic arts, we will understand the role of sound and its symbolic interpretations for a collective that, through the siku, facilitates the dialogic encounter of beings, thereby activating multiple ways of relating from the corporal to the spatial. Thus, this monograph focuses on theoretical and experiential inquiry, addressing topics that relate to and complement the intention of these sikuris groups, allowing us to also consider the interculturality present in the territory from a decolonial perspective.Ítem Práctica interpretativa como tiplista en la orquesta de cuerdas pulsadas, Filarmónica de Música Colombiana “FMC” de la Filarmónica de BogotáJerez Gamez, Jefferson; Guapacha Marín, Olga LucíaThis field diary describes the activities that surround a tiple player member of the Orquesta Filarmónica de Música Colombiana "FMC", giving an account of the processes of rehearsals, concerts and recordings within this group. This document aims to describe technical and interpretative resources of the instrument that have been present in the repertoire of the estudiantinas of the Andean region throughout the twentieth and twenty-first centuries. The tiple is an instrument of popular heritage that is strongly linked to the regions where particular styles and forms of interpretation have developed, which have accompanied the development of the instrument. This document seeks to describe the process of appropriation of technical resources through the recognition of different rhythmic cells, present in the repertoire performed by the "FMC". With this, it is intended to provide the instrument with tools to acquire these particular forms of strumming and technical resources linked to the instrument's literature, through the description of directionalities, timbre and accentual resources, where they are exposed for the consultation of the interpreters who not only want to be part of groups like this one, but who are interested in including in their interpretation a wider spectrum of accompaniments and technical resources present in the repertoire of the Colombian highlands