Examinando por Materia "Cenizas en el arte"
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Ítem De la quema, la aldea y la fiebre. Tres experiencia sensibles y simbólicas alrededor del fuego.Díaz, Nicolás Sebastián; Arbelaez Grundmann, María JoséThe present research-creation in art has as a point of combustion the need to understand how I have related to the nature of the element fire, in my own life and in the social context I inhabit, from the deepening and analysis of my experiences, dreams, sensitivities, intuitions, attractions, and instincts, and the fascination for theoretical research, around its light and heat. This project is originally ignited by the contradiction, duality, or complementarity, which fire has to feedback and guide us, to and guide us, as micro and macrocosmic organisms, in our journey, whether fastidious or nefarious, between life and death. The first chapter entitled "QUEMA/CENIZA", analyzes the audiovisual content and more specifically the extensive aerial shots that have flown over the Colombian-Brazilian Amazonian territory recent, which has exposed and transmitted, a particular model of representation, configured in colonialist ideological and aesthetic regimes, from which emanates the consolidation of a particular pyroculture and pyropolitics. The second chapter entitled "ALDEA / LLAMA" addresses the personal experience of the visit to the social resistance action Bakata Peace Village in 2014. Narrative work is performed, sensitive-symbolic of memory, from my short passage through this community. The archaic use of space-time through peaceful rooting, to contribute to the generation of a social, political, and economic transformation in the country, I argued that action was articulated by the transcendental integration and influence of the energy of fire. The third chapter entitled "FIBRE /HUMO", is based on a personal experience, in which shortly after a trip to the Colombian Atlantic Coast, I had a deep and vivid dream, before falling ill. I had a deep and vivid dream before I got sick. From this, I reflect, unveil and argue, the possibility of a lived symbology, of the prognostic character of dreams and the nesting of fire in my body, beyond the illness, as an initiatory ritual.