Examinando por Materia "Banda sonora"
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Ítem Música "de película"Parada Avendaño, Pablo Andrés; Gómez, Juan DiegoExpose the importance of music in the cinema, which even remains unknown to some viewers and lovers of the seventh art. Carry out a research project — creation — interpretation in the audiovisual field that serves as a reference for study not only for future generations of composers who are inclined towards this branch of musical composition but also for people who love the subject. In the first instance, we want to introduce the reader to the day-to-day life of a composer of film music, to show the whole process of cinematographic conception and, of course, to detail the compositional tasks in this field. The importance of the musical presence in the film industry, the singularities and differences of conceiving a musical discourse coherent with an audiovisual narrative and a visual argument was exposed. It revealed a method of musical analysis of my authorship that leads the reader to an easy understanding of the treatments and resources of musical composition implemented in the soundtracks, provides guidelines for the reader hasty manner to follow this method step by step and in base of your musical and artistic experience decide to follow it putting into practice or find as a result of this practice particular intentions to find and vary this doctrine in favor of your personal needs and in the end the soundtrack of the first film in which you work is shown formally and officially, not only because of the nostalgic and symbolic value that this fact represents, but also to clearly explain that putting into practice all the knowledge we possess in our mind and heart are those that will strengthen our compositional character and will allow us to Let us know the world as artists.Ítem Un territorio dentro de nuestro territorioRojas Leal, Raul Andrés; Alvarado Silva, David LeonardoIn this project we made a short documentary film that narrates the lives of families displaced by the violence of their people in Chaparral Tolima in the first decade of 2000 and who currently live in the sector of Quiba - via Paraiso, a neighborhood in the city of Bogota, Colombia. In this documentary I participated as a director and achieved an important interaction between two roles, on the one hand, the audiovisual direction and on the other, the composition and production of the incidental music of the short film. The documentary gave life to 4 musical works with different formats, which are the central axis of this document, as it explains how the composition began for these works, their development and production processes to apply to the short film, both in sound capture, editing and mixing. It also shows how these processes are carried out thinking of applying them to the documentary according to the script, making a final reflection on everything that affects film music from a practical perspective, but provides important elements for future audiovisual productions.