Doctorado en Estudios Artísticos
URI permanente para esta colecciónhttp://hdl.handle.net/11349/30015
La Colección Doctoral del Proyecto de Doctorado en Estudios Artísticos de la Facultad de Artes ASAB de la Universidad Distrital Francisco José de Caldas, incluye ensayos, resultados de investigación, monografías y libros de referencia, cuya reflexión teórica y crítica sobre una materia específica aporta al debate público y a la comprensión de los desafíos que enfrenta la sociedad actual.
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Ítem Aprender, crear, sanar: estudios artísticos en perspectiva decolonial(Universidad Distrital Francisco José de Caldas) Walsh, Catherine; Lambuley, Edgar Ricardo; Gómez Moreno, Pedro PabloArtistic studies are an inter and transdisciplinary space of knowledge proposed from the field of the arts for the broad field of culture and society. They are the result of name practices, epistemic, aesthetic, political and ethically committed to the needs of social transformation and people's living conditions. It is a space that has been taking shape for almost a decade as a result or a series of possible encounters, crossroads and non-disciplinary, epistemic and aesthetic impulses. Although it is a space that is organized from the university, its practices are not confined to it, since its intervention spaces are inside and outside of it, in all the places where coloniality affects bodies, dehumanizes people. , controls the power and determines the knowledge destroying nature and life.Ítem Cruce de caminos(Universidad Distrital Francisco José de Caldas) Bustos Gómez, Marta Lucía; Peñuela, Jorge; Romero Rey, SandroFirst of all, this volume opens with a text in which Professor Marta Bustos establishes models to castigate the lendable ideas that exist regarding culture and peace. For many years there has been an instrumentalization of art and, in a broader environment, it has been considered in the abstract that the levels of well-being of Colombian society lie in the number of civilized injections that we can apply to the social fabric. In the present text, a tour is made of the evolution in our history of norms, the steps have been taken to understand the way in which cultural processes are integrated into the need for "the longed-for peace", as it has been called in many documents. official and academic reflections. The big problem with a canonical idea of culture is that it ends up becoming a thousand-headed monster that ultimately loses the deep resources that derive its essence from it. Peace needs culture in rhetorical terms but, when it begins to be implemented, it seems to disappear in the ambiguity of the desks. According to Marta Bustos, the new definitions of the different criteria of culture and their relationship with the reconciliation processes in Colombia began to be designed systematically from the 1990s. In the text, you can see different stages lived in the governments from the decades of transition to the new millennium until, as the peace process gained ground, the idea of culture began to be systematized.Ítem El cuerpo en el siglo XXI: Aproximaciones heterodoxas desde América Latina(Universidad Distrital Francisco José de Caldas. Facultad de Artes ASAB. Doctorado en Estudios Artísticos) Cáceres, Juan Fernando; Olivier Toledo, Carlos; Olvera Rabadán, Alejandra; Céspedes, Ronald; Piñeros, Ángela; Bustos Gómez, Martha Lucía; Arias Peñuela, José David; González Álvarez, Alexandra; Guio Vega, Adriana Patricia; Larraondo Franco, Emilia; Rodríguez Silva, Laura Angélica; López Martínez, Miguel Ángel; Rojas González, Oscar; Rojas González, Oscar; Ortega Garzón, Sandra María; Amaya Ríos, Felipe Andrés; Castelblanco Montañez, Julieth Natalia; Plazas Forero, Parsifal David; Urtubia Arancibia, Francisco; Martínez Molina, Leidy Yolima; Rincón, Christian; Batres Gaytán, Atzin; Hernández Peña, Yolanda; Ramírez Sánchez, Nohora Aydée; Urrutia Gómez, Andrea Carolina; Ariza Montañez, Vladimir Alejandro; Amaya Velasco, Hermann Omar; MORENO COLLAZOS, JORGE ENRIQUEThe book titled The Body in the 21st Century. Heterodox approaches from Latin America, responding to the project being carried out in a network by research teachers from the Iztacala Faculty of Higher Studies of the National Autonomous University of Mexico, the Popular Faculty of Fine Arts of the San Nicolás de Hidalgo Michoacan University, the Faculty of Arts -ASAB of the Francisco José de Caldas District University and the San Francisco Xavier University of Chuquisaca. In addition to this publication, the project has to its credit the realization, until 2020, of ten international congresses, which have brought together notable researchers and creators from the region, coming from different fields of study and whose focus of inquiry is the body, the which highlights the relevance of this as an object and means of study today.Ítem Entre ensayos y performatividad: Los estudios del performance y la política de la práctica(Universidad Distrital Francisco José de Caldas. Facultad de Artes ASAB. Doctorado en Estudios Artísticos) Hunter, Lynette; Bolles, Dylan; Castillo Ballén, Sonia; Palau, María del Carmen; Hernández, Álvaro Iván; Castillo Ballén, Sonia; García Schlengel, María Teresa; Ramos Cuncanchún, FranciscoTranslation project resulting from research of the line of research in Critical Studies of Corporeities, Sensitivities and Performativities, and of the Research Group for Artistic Creation attached to the Doctorate program in Artistic Studies of the Francisco José de Caldas District University , ASAB Faculty of Arts. Result of the International Seminar on Artistic Studies, and the presentation of performance studies that Professor Lynette Hunter made as a guest professor in the academic spaces of the Nuclear Seminar II and Laboratory Workshop II of the Doctorate program in Artistic Studies.Ítem Estudios artísticos: Trayectos y contextos(Universidad Distrital Francisco José de Caldas) Niño Morales, Santiago; Lambuley Alférez, Édgar Ricardo; Gómez Moreno, Pedro Pablo; Romero Rey, Sandro; Casimir, JeanA journey is a journey with a beginning and an end. That is, with a point of. That point of arrival, for its part, tacitly implies an encounter. A meeting of filiations and distances that, from different routes, constitutes the reason for a trip in which reflection is the essential tool to establish connections and, why not, new questions to configure the territory covered. On the other hand, there are the contexts, the baggage, the past that explains and, at the same time, determines the distances or the proximity of the respective paths in which the travelers realize that the journey is not alone. And much less when these paths are traced within the parameters of art and culture. There is, if you will, a kind of generational imprint through a journey in which denominations such as academia, thought, society, capital or development are questioned and redefined from the perspective of a group of thinkers who give them return to their respective experiences to find, in the framework of their questions, a new field for action.Ítem Haceres decoloniales : prácticas liberadoras del estar, el sentir y el pensar(Universidad Distrital Francisco José de Caldas) Gómez Moreno, Pedro Pablo; Donis, Alex; Chavajay, Benvenuto; Chávez, Daniel B.; Benfield, Dalida María; Ochshorn, Robert M; Carrillo Can, Isaac Esau; Muñoz Gómez, Jesús Holmes; García, Lia; Cárdenas, Marisol; Roa, Martín Alonso; Ferrera-Balanquet, Raúl Moarquech; Tisoy Tandioy, RosaHD: Decolonial doings: liberating practices of being, feeling and thinking is the sixth title of the Doctoral Collection of the Faculty of Arts ASAB- from the Francisco José de Caldas District University. In the book considers theoretically what a decolonial act is and, at the same time, time is reflected from and with decolonial artistic practices made by artists, thinkers and activists in various places of the world. In this task, the book collects the memories of the exhibition called HD: Decolonial Actions that took place in August 2015, in the ASAB Exhibition Hall, in Bogotá Colombia. construction own memories is key to the projection of horizons that they go beyond the single narrative of Eurocentric modernity.Ítem Investigaciones sobre el cuerpo : Relatorías del encuentro “El giro corporal”(Universidad Distrital Francisco José de Caldas) Castillo, Sonia; Vejarano Soto, Elizabeth; Arbeláez Grundmann, María José; Calero, Solón; Rivera, Carmen Cecilia; Amaya García, Natalia; Rodríguez, Linna; Gilette Medellín, Celia; Rodríguez Vergara, Elsy; Bejarano Ochoa., Natalia; Noguera, Martha Judith; González, Fredy; Villalba Labrador, Raimundo; García Schlegel, María Teresa; Ospina Espitia, Martha Esperanza; Cáceres Jaramillo, Juan Fernando; Borrero, Juliana; Ferreira, María Cándida; Cardona, Hilderman; Carantón, Josué; Castillo, Leyla; Arango, Ana María; Aranguren Romero, Juan Pablo; Escobar, Manuel Roberto; Yáñez Canal, Carlos; Orozco Marín, Angela María; Castillo Ballén, Sonia; Castillo, Sonia [0000-0001-7044-1889]; Villalba Labrador, Raimundo [0000-0003-3978-0617]; Ospina Espitia, Martha Esperanza [0000-0002-6555-0180]; Cáceres Jaramillo, Juan Fernando [0000-0002-9971-1704]; Aranguren Romero, Juan Pablo [0000-0001-5892-2153]; Orozco Marín, Angela María [0000-0003-3282-9000]The First National Meeting of Research on the Body: The Corporal Turn has as its main objective to bring together researchers of the body in Colombia, to learn about various theoretical, methodological and research positions on the subject, as well as the routes and approaches that have been proposed to the study of different aspects that make up the body condition, such as emotions, representations, agencies, mentalities, languages, practices and techniques, genres, gestures, relationships and interactions, pedagogies, symbols, etc. The meeting aims to strengthen a national interdisciplinary network of studies on the body from which research on bodies in our local intercultural contexts is promoted, developed and disseminated.Ítem Potencial político de lo festivo : Aprendiendo de la descolonización(Universidad Distrital Francisco José de Caldas) Romero Flores, Javier Reynaldo; Gómez Moreno, Pedro PabloIn the pages of this book, a journey is made through what we can call the decolonial turn in the investigation of the festive, which ranges from a critical perspective to the construction of a decolonial perspective and methodologies. This is how in the thought of the festive broader relational categories appear, such as exteriority, decolonizing horizon, situated thought, among others, which show the transition from the subject/object epistemology and the so-called "paradigm of consciousness" towards a decolonial, which ignites culture not as something given, but as an unfinished, progressive and gerund ideological battlefield, from which an intercultural horizon can be projected. For this decolonizing purpose, it is necessary to know the constitution and camouflage of colonizing subjectivity such as being a conqueror, being a colonizer, being white, as well as the use of a series of devices, such as the pedagogy of alienation, demonization, folklorization and patrimonialization, which are nothing more than forms of the coloniality of the festival and the festive. The author is not satisfied with the analytical unmasking of the devices of festive coloniality; on the contrary, it gives clues for the construction of decolonizing devices, that is, the pedagogical, epistemic and methodological tools for the ethical-political interruption of coloniality.Ítem Teatro aplicado: cuestiones epistemológicas y estudios de caso(Universidad Distrital Francisco José de Caldas) martinez thomas, monique; Castillo Ballén, Sonia; Pinzón Sánchez, Diana (Traductora); Ait-Ali, Cédric; Astier, Marie; Bordetas Bonilla, Alba; Aussel, Lucie; Descombe, Benoit; Besson, Rémy; Péran, Bruno; Melo Felgueres, Camila; Mayer, Camille; Ferré, David; Tuchowski, Fanny; Garcin-Marrou, Flore; Ramos, Francisco; Laborde, Gilles; Jacinto, Gilles; Morillon, Laurent; Debien, Marie-Christine; Pouget, Matthieu; Plana, Muriel; Ruiz Álvarez, Rafael; VILLALBA LABRADOR, Raimundo; Rodríguez, LinnaIn a country -France- where the field of theater has been culturally structured for decades, Applied Theater is a notion that often appears as an ancillary, in the face of an institutionalized, even mirified, art. On the one hand, there would be the Theater, pure, noble, authentic and on the other, there would be its ups and downs: company theater, theater for personal development, theater for pathologies, etc. If they have the same source, their consanguinity does not stop frightening. How can some artists who create far from any external coercion belong to the same theater family as some actors or directors who "obey" a commission, in a specific context, with an audience that is often workshop participants... are they therefore prisoners, in a certain way, of an instrumented art? To this ethical problem, this book tries to respond, through concrete examples, for a greater intercultural understanding France/ Colombia.