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The present writing is presented as evidence and reflection of the process carried out in the performance “AQUÍ” –a dance piece performed in 2016 to obtain the degree in Artes Escénicas – Línea Terminal Danza Contemporánea. This experience was possible thanks to the academic exchange between the Universidad Autónoma de Querétaro in México and Universidad Distrital F.J.C. of Bogotá, within the frame of its Curricular Project Arte Danzario. This report is also an analysis of the creative process developed for the composition of the show. The approach departs from the methodological point of view developed by the director Francisco Córdova: “Body-action < > movement-relation and physical action as scenic construction”. In this case Córdova’s approach is used to reflect on the question of being a woman in dance performance. It’s a dissertation about the achievements and experiences accumulated during the staging of an international dance project but also about the methodological, creative and interpretative findings. It deals with the relationship between Stanislavski’s theatrical method and the traditional dance methodologies for composition of corporal narratives and scenic dramaturgy.