Movimiento, interpretación y colectividad . construcción conjunta

Abstract

This work searches to show certain elements of “TOC TOC” (a creation made at the UAQ in 2018) that allowed its construction, the creation of the conductive thread and the interpretive line. Taking in a count that the creation can start from multiple places, it seems pertinent to talk about the creation of the interpretive line from the group movement and the four criteria that the researcher believes that it is relevant to the creative process. Within the construction of a contemporary dance performance, there are different ways for the performer and the director to carry out an idea that ends up being represented in a play. As each choreography contains its compositional universe, it is important to unravel or describe the processes that made its staging possible. and in this case, the construction of the interpretative line of thought.