Danza contemporánea y break dance. Configuración de un lenguaje danzario particular.

Abstract

This monograph states an investigation that emerged from the inquiries and interests provoked by the knowledges acquisition of the body and movement, converted in an own necessity that glimpses the sense's breed and development, the construction of the creative statuses meaning fed from the experience and the reflection about my dancing practice. I seek to reflect about the influence that the break dance has on my performance as contemporary dance dancer, furthermore, identify and analyze consciously my training processes and technical learning that has been established from the academic and autonomous spaces that with the time have been modifying and transcending each other. The contemporary dance and the break dance, are the dance styles that, conjugated in my body, incite me constantly to study, assess and evolve my dancing ways; so, they summon me to realize this movement autoethnography, guide by the interest of recognize me and analyze me as dancer. In this vein, I realized and analiced three audiovisual registers, in wich I show two important moments for this investigation and for my professional dancing practice: the contemporary dance language learning cycle and appropriation through the work of some technical aspects that composed it (in the academy) and exploration and creation work from the break dance language and the cohesion with the acquired of the contemporary dance (autonomous work). In this way, was possible for me, to realize a comparative analysis about the technical aspects of movement shown in the registers, from wich, was possible for me, to start a selfreflexivity study that further on, considering the constant evolution of the dancing world, it could be considered as a collectives study, from the dance practices. Danza contemporánea y break dance. Configuración de un lenguaje danzario particular, contributes in an important way to the dance investigation, in and for the break dance and the contemporary dance, showing an experience from the body’s knowledge and its speech as of the analysis of the aspects that make a dance interpreter of these styles: the dance techniques and the trainig.