La subjetividad de la interpretación como eje de diálogo entre el cuerpo y el movimiento

Abstract

This paper titled "The subjectivity of the interpretation as an axis of dialogue between the body and the movement", is a research that is born from the analysis and evaluation of my progress as a dancer of contemporary dance in three choreographies (Other Side, Un Decir, Columbario) and how interpretation and technique have played an important role in these jobs, to generate a change in my body level. It is also the excuse to offer my experience as a dancer, and give inputs or generate the first steps of a possible methodology that allows dancers to have a few tools for the construction of different roles on stage.