Huida, de la acción de caminar a la composición en danza.

Abstract

In this work I establish a kind of journey that connects two of my personal concerns that were fed throughout my university career. First, there is the interest in the characteristics that are observed in a body at the time of walking, because being in the daily study of my body, I begin to pose possible readings about the ways in which these characteristics may be related to the personal aspects of each subject. First from the sensitive and intuitive side, nurtured by the trade of dance, and then from the research of authors such as Pierre Giraud, Wataru Ohashi, and who supports in most media the present work Stanley Kelleman. These students of the body, from their disciplines, have developed works around the world of meanings that are generated from the human body; likewise, the way in which a corporal pattern is constructed according to each one of its particular situations to which the individual faces during his life, which are also framed within a context that determines a series of particular conditions for each circumstance.