Del espacio en vibración a una escucha resonante: Una articulación entre el manejo compositivo del espacio y la experiencia de la escucha, en las creaciones sonoras para el espacio público

Abstract

The purpose of this work is the search for an articulation between the compositional management of space and the listening experience, central axes of operation in sound creations for public space. Starting from a definition and characterization of this field of sound creation, a choice of three pieces is made that allow a much more fruitful approach to the particular dynamics and processes triggered by these events. For a recognition and definition of the key aspects of this artistic practice, a methodology of analysis of the three selected pieces is proposed that seeks to explain their occurrence in the framework of the public sphere.

This approach is composed of the study of three levels that act in interdependence during the creation process. In the first place, the conceptual level of the notions formulated by its creators is addressed, around how they conceive the emergence of their work. Secondly, the creative level of the works is analyzed, consisting of the operative experience that materializes their realization. Finally, the expanded poetic level of the works is emphasized, because of new discoveries that enrich the listening experience in these contexts.