La gallina que sonríe: sistematización de una poética actoral en la construcción de Lucrecia en el montaje Ubuntu, metáfora de la huida

Abstract

This undergraduate thesis presents a systematization of the acting creation process of the character Lucrecia, a stage figure developed within the production Ubuntu, Metaphor of the Escape. Through an in-depth analysis of the creative process, the author reflects on the construction of a personal acting poetics in which technique, intuition, and emotional experience converge to shape a symbolic figure situated between the dramatic character and the scenic role. The study examines the corporeal, vocal, and expressive procedures that gave rise to Lucrecia, as well as the aesthetic and formative decisions that configured her stage presence within the framework of a collective creation. Drawing on theoretical references such as Erika Fischer-Lichte, Eugenio Barba, Jacques Lecoq, Anne Bogart, Kristin Linklater, and Jerzy Grotowski, the research explores the dynamic tension between mask and crack, control and excess, containment and fracture—identifying how these polarities articulate a poetics of the body that thinks, feels, and creates through contradiction. Beyond the documentation of a process, this work proposes a reflection on acting autopoetics as a space of thought, arguing that systematization not only records the scenic experience but also enables the articulation and recognition of the sensitive forms that emerge within theatrical creation.