Análisis de tres solos del trombonista Juan Carlos Marin para entender su manera de improvisar en el latin jazz

Abstract

The growth of the chair of trombone and instrumentalists in Colombia is constant, musicians who are interested in the development and technical growth of their instrument, history, virtuosity and a fundamental aspect such as improvisation, a role that at some point all musicians must perform The present work, tries through research, to make known the historical context in which Cuban music and Latin Jazz are developed, in addition to this, this work, through transcription and analysis, wants to find patterns, scales or melodic, harmonic and/or rhythmic resources that allow the reader to understand how the improvisation method of an exponent of the genre works. Finally, through a product, the instrumentalist, who wants to delve into the subject of the use of improvisation, is invited to make the tools found at work, implanting them in his daily study, to expand his resources in the field of work.