Atmósferas y dramaturgia actoral: El impacto de lo sensorial en la interpretación actoral del montaje “Atmósferas”

Abstract

This thesis is a reflection on my creative and acting process in the performance Atmósferas, inspired by Teatro para minutos by Juan Mayorga. Based on the question of how atmosphere influences acting dramaturgy and scenic creation, I propose an understanding of the actor’s work through sensory experience, perception, and the relationship between body, space, and atmosphere. Grounded in observation, mindfulness, and active listening, I explore how the sensitive body becomes an expressive medium that builds living and meaningful atmospheres. Drawing on the ideas of Peter Zumthor and Michael Chekhov, I develop a perspective on the dramaturgy of the body, in which the actor’s experience transforms into narrative and the space becomes an organism that changes through presence. I conclude that the scenic atmosphere is not a decorative background, but a collective creation that emerges from sensitivity, understood as the essential driving force of the theatrical act.