Que mi Dios se lo pague S.A

Abstract

Is an artistic proposal structured as a fictional company that markets satirical products designed to survive in conditions of economic precarity. Through manuals for begging, escape kits for street vendors, and low-budget culinary guides, the author ironically critiques the capitalist system and its contradictions. The company becomes a tool for reflection that destabilizes traditional moral norms, using dark humor, marketing strategies, urban interventions, and political art techniques to expose how marginalized sectors are forced to invent survival strategies outside formal structures. The work draws on urban experiences in Bogotá and theoretical references such as the situationist concept of détournement, as well as the actions of artists like Banksy and collectives such as The Yes Men. Fernández Galvis takes on a hybrid role as artist, entrepreneur, and activist to challenge the boundaries between legality, morality, and necessity. The project manages to be self-sustaining and impactful both in the artistic field and in public perception, using irony to show how even rebellion and poverty can be commodified by the system.