Entrenamiento… Una construcción corporal en la compañía danza kapital

Abstract

The body has taken on various definitions and perspectives in dance throughout history. Currently, it can be considered a creative, sensitive, and emotional instrument; the body has not only a historical connotation, but it is also evidenced and defined at biological, ethical, religious, social levels, among others, which lead to the acquisition of different notions and configurations. Previously, it was seen as a technical and aesthetic object, which is why Hilda Islas states: There have been attempts to create a history of man based on his material-corporal location in the world. In this research, the terms of body, corporeality, training, and style were investigated and emphasized, which are references obtained from different authors and teachers that will provide different positions and allow for the analysis of the training given and created in the Compañía Danza Kapital. In the realm of corporeality, what brings together social and biological aspects And ethics is precisely the dimension of movement, of technical-constructive actions. Ideally, the action-movement.