De Artaud a Diderot una simbiosis para encontrar la verdad escénica

Abstract

This research compares the actor's work in the emotional sense; of feeling and / or not doing it through the postulates "the paradox of the comedian" of Diderot, "theater of cruelty - the plague" of Antonin Artaud and the process and presentation of the monologue, "Our Father Who You Are in the whiskey" performed by Katerin Gutiérrez and "between madness and sanity" performed by Sergio Mahecha; where the postulates in mention are ratified from the praxis. The investigation focused on several points of view from the theory of acting, later confronted with praxis. During the investigation, each one of the theories is scrutinized, finding what it means for each one of the authors, a definition, of the actor and his work and how it is important for this job the scenic truth and what tools are useful to achieve it from these two opposing points of view, but which provide with very solid tools in the praxis of the trade.