Infancia, resurgir, pertenecer. Tres piezas musicales creadas desde los relatos de vida de jóvenes, como experiencia artística para el desarrollo humano, en San Martín de Loba

Abstract

This work is the result of a creative research project that aimed to create an artistic object combining orality and music in a neighborhood in the San Cristóbal district (District 4) of Bogotá. It draws on theoretical foundations from Bruscia's music therapy, Úrsula San Cristóbal's musical research at various levels, Bruner's oral narrative and the importance of storytelling, and territorial perspectives such as Benard's autoethnography. These approaches offered a new perspective on art, the neighborhood, and life stories, resulting in three musical compositions by each project participant. Within the specific context of this creative research project in San Martín de Loba, this approach is reinterpreted through the researcher's direct experience and the collective work developed with the community, using a phenomenological paradigm to transform subjectivities into art. This work contributes to human development from a neighborhood, political, subjective, and experiential perspective, reflecting on the environment in which one lives, and generating other musical aesthetics from composition that serve as an example of other ways of making music.