Tres, dos, uno: condición y variabilidad de video a colectivo

Abstract

Filler words: time spreads relationship. Glup··· glup··· glup···! Sink! Circles drawn in the water, what if they don't spread?... Blah, blah, blah... A lot... Hello... Hello... and with many; Beautiful and unfortunate have been the relations. Both fruitful Yes... explosive! zzz, zzz, zzz Yes... Passive. I had decided to stop thinking about time, anyone can do it. estuary; in old age, that a time lived is completely different from another time lived even if it is at the same time; than to waste time, not to have felt such a thing in that time, to turn back time, and to die young before my time. I came to talk about time IN THESE LINES, PREVIOUS AND FOLLOWING, FOR THE SOLE FACT THAT I WANTED TO MENTION THE TEMPORAL ARTS. Making video clips, making short films, setting up sets for theater, making costumes even if she was not a fashion designer, a family seamstress tradition. In usual situations, it is normal to pretend to know everything. I look at my body in it, mirrors with great lengths, how are my body movements in this? beautiful female body, what I learned, to rotate?, my knees hurt, mirror tell me something more!... it's okay: spread, exaggerate your movements. Now first position, second, third, fourth, ..., it seems like I'm learning to play a musical instrument, but handling the body is similar.