Entre lo evanescente y lo duradero. Reflexión sobre la grabación en bloque como expresión de la comunión.

Abstract

This work makes a compilation of some concepts and notions to understand why from the experience of playing with other musicians, we sometimes feel highly synchronized interpretative moments and why collect these sound experiences through a block capture. First, it approaches the concept of community searching in some disciplines to give it a context, then, the notion of common-unit and common-union is exposed to understand the difference between singulars acting together and the dissolution of singulars that also act together but in a union that makes music possible. Second, a brief approach to the history of the block recording is presented and is highlighted the importance of capturing the moments of high interpretative performance, which with a common space-time, transits from the evanescent to the enduring. Finally, the experience raised from the assembly of the topics is addressed, with the assembly of the themes, of dialogues that are condensed in a diagnosis applied to each musician, and the experience of recording in block.