Anarqueografía del pensamiento artístico

Abstract

The writing staged in the Anarchaeography of artistic creation elaborates some concepts that are designed to highlight the exercises of some post-contemporary artists. It also presents some of the performances of the artist Nadia Granados, with the purpose of showing the dynamics of post-contemporary art in Colombia. It shows how the exercises of performance artists are presented as a strategy to recover the autonomy of artistic thought. To account for these experiential practices, it analyzes the relationship between scientific research and artistic creation, and shows how the latter is negatively affected by the former. Think about the concept of metaphor taking into account the experience in which poetic writing emerges. Claims the relationship between the arts and poetry, pointing out the absorption of artistic thought within scientific research protocols. It alerts the Colombian art system about the reification and commercialization of artistic expressions and, among other concepts, develops the post-contemporaneity to point out the need expressed by many artists in the sense of distancing themselves from the logic of the market for luxury goods such as those staged at art fairs.