La interpretación vocal: análisis de elementos vocales en el sistema de actuación de actuación de Stanislavsky, a la luz de la teoría de las inteligencias multiples

Abstract

This research analyzes the actor's vocal interpretation within Stanislavski's acting "system" in light of the theory of Multiple Intelligences (M.I.). It seeks to locate and define the elements involved in the actor's vocal interpretation, as well as discover the relationships that are established between them. The analysis focuses on Stanislavski's assessments of the actor's voice, particularly in his book "Building a Character," where he dedicates several chapters to the voice, its qualities, technique, word management, and text interpretation.

The work is divided into several levels, starting with reading and intuition. The accessible level of facts is studied, and the character's objectives are explored, asking what he wants to do in the given circumstances and how he relates to them. Stanislavski seeks to give life to the character's words through "subtext," which is a fabric of fictions elaborated by the actor in the creative process. Furthermore, the importance of declaring the context and cross-referencing information of historical and philosophical origin to enrich the interpretation is considered, always adjusting to the objectives and movements of the action.