Por la vía al llano, con requinto en mano: una propuesta para la interpretación de músicas llaneras en el tiple-requinto

Abstract

This work is aimed to develop a proposal for tiple-requinto's interpretation in musical forms from the colombo-venezuelan joropo. For this, three musical pieces (an entreverao, a pasaje, and a pajarillo-torbellino) for tiple-requinto are designed, and played accompanied by cuatro, bass, maracas, and voice. As theoretical foundation or complement of the above exposed, an approach is made to the overview of the convergences from the historical context which allow to find the dialogues between joropo from the colombo-venezuelan plains and requinto. Regarding the technical-interpretative components of the musical pieces, an adaptation of some joropo's instruments (mostly bandola llanera, and cuatro) techniques is applied to requinto, with its corresponding analysis and explanation. Also, an analysis and description of the morphological-musical aspects used for the designed pieces is carried out, relating these aspects with the musical forms applied to the pieces (golpes llaneros, pasaje and torbellino). All this exercise is done with the aim of presenting the implemented factors (andean and llaneros) that interact between them to produce three musical pieces and an interpretation proposal as result.