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Revista Corpo-grafías, Estudios críticos de y desde los cuerpos
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Resumen Este escrito hace una reflexión acerca del cuerpo en el ballet en la época contemporánea, el cual abarca lo biológico, el género y su estética establecida desde hace más de cuatrocientos años. Esta reflexión pone en tensión dos miradas, la construcción del cuerpo ideal para el ballet en la tradición, la cual se restringe por sus cánones: cuerpos que comienzan su estudio desde una edad temprana y escogidos con las condiciones corporales óptimas para lograr la estética establecida, esto quiere decir que se nace con el cuerpo o no para el ballet y la construcción desde el cuerpo que somos particularmente en el Proyecto Curricular Arte Danzario. Palabras clave: ballet, cuerpo, sujeto, estética, ética, género. MISSED BODY Abstract In this text it is made a reflection on the body in the ballet in the contemporary epoch, which includes the biologic, the genre and its esthetics stablished for more than four hundred years. This reflection puts into tension two visions: The ideal building of the body for the ballet in the tradition, which is restricted by the canons: bodies that begin their study since early years and are chosen with optimal corporal conditions to achieve an established esthetic, this means people is born with or without the body for the ballet and the construction from the body that we are particularly in the Dance Art Curricula Project. Keywords: ballet, body, subject, stethis, éthic, genre. CORPO DESAPARECIDO Resumo Este artigo leva a uma reflexão sobre o corpo dentro do balé no tempo contemporâneo que abraça os elementos biológicos, o gênero e sua estética estabelecida há já mais de quatrocentos anos. Esta reflexão põe em tensão dois posições, a construção do corpo na tradição ideal para o balé que é restringido por seus padrões: corpos que começam os seus estudos desde tenra idade e são escolhidos baixo as condições ótimas corporais para alcançar as estéticas estabelecidas, ou seja que nasce ou não com o corpo para o balé e para a construção desde o corpo que nós somos particularmente no Proyecto Curricular Arte Danzario. Palavras-chave: balé, corpo, sujeito, estética, ética, gênero. CORPS DISPARU Résumé Cet article propose une réflexion sur le corps dans le ballet à l’époque contemporaine, en s’intéressant à la dimension biologique, au genre et à son esthétique établie depuis plus de quatre cents ans. Cette réflexion met en tension deux regards: d’une part, la construction du corps idéal pour le ballet selon la tradition, tradition qui s’enferme dans ses canons – des corps qui commencent leur apprentissage à un très jeune âge et sont choisis en fonction de conditions corporelles optimales pour parvenir à l’esthétique établie, ce qui signifie que l’on naît ou non avec le corps fait pour le ballet – et, d’autre part, la construction depuis le corps que nous sommes, notamment dans le cadre du Projet pédagogique d’Art de la Danse. Mots-clés: ballet, corps, sujet, esthétique, éthique, genre.
In this text it is made a reflection on the body in the ballet in the contemporary epoch, which includes the biologic, the genre and its esthetics stablished for more than four hundred years. This reflection puts into tension two visions: The ideal building of the body for the ballet in the tradition, which is restricted by the canons: bodies that begin their study since early years and are chosen with optimal corporal conditions to achieve an established esthetic, this means people is born with or without the body for the ballet and the construction from the body that we are particularly in the Dance Art Curricula Project. Keywords: ballet, body, subject, stethis, éthic, genre.
In this text it is made a reflection on the body in the ballet in the contemporary epoch, which includes the biologic, the genre and its esthetics stablished for more than four hundred years. This reflection puts into tension two visions: The ideal building of the body for the ballet in the tradition, which is restricted by the canons: bodies that begin their study since early years and are chosen with optimal corporal conditions to achieve an established esthetic, this means people is born with or without the body for the ballet and the construction from the body that we are particularly in the Dance Art Curricula Project. Keywords: ballet, body, subject, stethis, éthic, genre.
Palabras clave
ballet, body, dance, balé, corpo, sujeito, estética, ética, gênero