Ilusiones y verdades, composición y análisis

Abstract

The composer’s work brings with it not only aesthetic challenges but also research, adaptation and interpretation. Moreover, it consists in understanding that musical creation does not come by itself under a process of inspiration. The present work aims to highlight the creative process of a musical composition of four movements, which are individually approached from different sources of creation, resulting in four movements that are different from each other, all bound by the same principle. For this work, compositional and analytical techniques learned throughout my career as a student of Artes Musicales were used, along with inspirational and creative sources that came from distant backgrounds to university life. There was a previous investigation and introspection that focused on the questions: What challenges does it bring with itself to tackle a musical composition? and what logical and aesthetic aspects can they infer in creation? All with the purpose of finding a composition that condenses largely the technical musical learning and aesthetics that have been significant throughout the great artistic process called life.