Protest song as an expression of social and political dissent in the 20th century
| dc.contributor.author | Otxoteko, Mikel | spa |
| dc.date | 2015-11-06 | |
| dc.date.accessioned | 2020-06-04T21:44:19Z | |
| dc.date.available | 2020-06-04T21:44:19Z | |
| dc.description | This article, stemming from the master’s thesis “The Social and Political Imaginary in the Social or Protest Song in Colombia during the period of 1960 to 1970”, shows the impor tant role that protest song has played in the history of Latin America in collecting the ex pressions of social dissent that marked its heyday from the 60s into the 80s (when the left won political ground as a result of underdevelopment, increasing poverty, the discontent of the population and the lack of leadership from the heads of state of the region, who were unable to propose solutions that would overcome these problems). The protest song fed from university poetry, from trade unionism and from daily injustices, encouraging the fight for ideals, empowerment and the urgent, with the vocabulary and expressions that best suited them. The genre decayed during the 80s as a result of the economic crises and the advent of dictatorships; its silencing, as well as the murder or exile of its performers, accompanied the death of every hope for revolutionary change on the continent. | en-US |
| dc.description | Hace casi cuatro décadas que Throbbing Gristle hizo su aparición en la escena under ground internacional como un estallido inesperado, e inesperable, cuyas reverberaciones se prolongan hasta nuestros días. Surgidos del colectivo artístico COUM Transmissions, la banda dio nombre a la música industrial mediante la fundación de su propio sello disco gráfico, Industrial Records, en 1976. Desde aquellos años ha adoptado formas y estilos diversos, mostrando un espíritu siempre renovado y propagando un modo más amplio de entender el arte de los sonidos al fundirlo con otras disciplinas y usar de manera comple ja samples pre-grabados, sobresaltos y distorsiones. Este ensayo presenta a Throbbing Gristle como uno de los grandes motores no solo de la música sino de la estética y el arte contemporáneos. | es-ES |
| dc.format | application/pdf | |
| dc.format | text/html | |
| dc.identifier | https://revistas.udistrital.edu.co/index.php/c14/article/view/9563 | |
| dc.identifier | 10.14483/10.14483/udistrital.jour.c14.2015.2.a06 | |
| dc.identifier.uri | http://hdl.handle.net/11349/24065 | |
| dc.language | spa | |
| dc.publisher | Universidad Distrital Francisco José de Caldas | es-ES |
| dc.relation | https://revistas.udistrital.edu.co/index.php/c14/article/view/9563/10797 | |
| dc.relation | https://revistas.udistrital.edu.co/index.php/c14/article/view/9563/11115 | |
| dc.rights | Derechos de autor 2015 CALLE14: revista de investigación en el campo del arte | es-ES |
| dc.source | Calle 14 revista de investigación en el campo del arte; Vol. 10 Núm. 16 (2015): Arte y manifestaciones populares; 70-80 | es-ES |
| dc.source | CALLE14: revista de investigación en el campo del arte; Vol 10 No 16 (2015): Arte y manifestaciones populares; 70-80 | en-US |
| dc.source | 2145-0706 | |
| dc.source | 2011-3757 | |
| dc.subject | Protest song | en-US |
| dc.subject | discontent | en-US |
| dc.subject | unionism | en-US |
| dc.subject | social struggles | en-US |
| dc.subject | music | en-US |
| dc.subject | social movements | en-US |
| dc.subject | Cortar | es-ES |
| dc.subject | Genesis P-Orridge | es-ES |
| dc.subject | música industrial | es-ES |
| dc.subject | ruidismo | es-ES |
| dc.subject | muestreo | es-ES |
| dc.subject | Cartílago palpitante | es-ES |
| dc.title | Protest song as an expression of social and political dissent in the 20th century | en-US |
| dc.title | Lo abierto, lo inacabado: un retorno a Throbbing Gristle | es-ES |
| dc.type | info:eu-repo/semantics/article | |
| dc.type | info:eu-repo/semantics/publishedVersion | |
| dc.type | Artículo revisado por pares | es-ES |
| dc.type.coar | http://purl.org/coar/resource_type/c_6501 |