Travesías sonoras entre arcos y plumeos: Adaptación de dos golpes llaneros -Zumba que Zumba y Chipola- para violín y grupo llanero.

Abstract

This work consists of the adaptation of two pieces for violin, which are based on two rhythms of Llanero music: specifically, chipola and zumba que zumba, accompanied by electric bass, cuatro, and maracas. To achieve this, in the case of chipola, an approach was conducted through the study and contextualization of the bandola llanera technique, including a timbral and interpretative analysis of this instrument. Likewise, it involves the study of the morphological elements of the musical forms of joropo. For zumba que zumba, an analytical approach was taken to the violin's techniques and interpretative resources, in accordance with the context of this musical form. The objective is to explore new interpretative elements for the violin, diversify the repertoire for this instrument, and contribute to new timbres and ways of playing joropo. Additionally, the structure of the piece was designed through a philosophical model, which allowed its foundations to be interwoven with the idiomatic aspects of the violin.