Diálogos - pretextos

Abstract

How to introduce the viewer to a process of creation? This is the question that throughout my monograph I aim to resolve, being both the example, the result, and the producer of these questions, so as to give the reader, who is devoid of any kind of information or training, a glimpse into the exercises under which a student or a future artist proceeds. "Under the branches of the moral, all those images, letters, and other artifices with which art is produced will find shelter, to be commented on, discussed, or why not denounced in order to bring it closer to you, the unsuspecting reader, and to me, the idle editor, in a shameless dialogue about the circumstances of the everyday. With nothing but the disordered love for the most thankless of crops in Colombia... the one of the spirit, EL MORAL is born..." By admitting or evidencing the parts of an artistic creation, it becomes a slightly cryptic recipe that causes most of the time between viewer and artist to lose information, although part of that loss is what gives the artwork its aura of art.