Lo poético del graffiti en la construccion del ser
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By exposing my life and the experiences that led me to understand my close relationship with the graphic, and in turn to inhabit society through color or expression expressed through graffiti; an investigation was made in front of the historical as well as contemporary concepts of urban art practices and their relationship with experience, more precisely from the construction of subjectivity, in contrast to purely urban graffiti with academic knowledge, in this way generate a theoretical document of an urban practice which is born from the most human, empirical and ephemeral experiences to demonstrate, perhaps, an extensive field that is hidden after the execution of a painting in the city. It should be noted, as the concept of experience was gradually forging this thesis, both in the investigative aspect and the pictorial result, since the experiences already granted by graffiti entered into a constant debate with the new ideologies through which they passed these hypothesis and / or thoughts within my academic life. In this way I can relate these fields within a plastic work, which had a background and a broad relationship with the concepts of communication, the exercises of power and change over the territories, the creation of character or artistic personality within the concept of subjectivity, we could say in conclusion, the own interests of expressing images through the aerosol, go beyond this action; they leave traces and witness the body in its expansion, the construction of the concepts of evolution and the new thoughts that are generated from the practice of graffiti itself.