Desanudando mi corporeidad desde la prosaica de grafiar. Movimientos entre lo personal, lo familiar y la búsqueda de lo colectivo.

Abstract

This research-creation process argues experientially and creatively the tensions of my desire to be an artist, the fact of cordoning off and finding in the Artistic Studies of the Francisco José de Caldas District University, the route of prosaics (the aesthetics of everyday life) to allow me to do and be in the arts, recognizing and being able to value as the role of workshop / facilitator in the city of Bogotá. The methodological route that led me to discourage my spellings was composed of performative autoethnography, corpography, genealogical review and writing. Thanks to them I was able to unveil how it is revealed in what I call my "knots", the biopolitical condition of existence that undervalued women's legal work and their possible roles among the "literate community" of Pasto. Likewise, the spellings are practices of re-existence that revealed alternative possibilities to the practice of migration of young people from other places to the capital of the republic, in order to achieve their consecration as intellectual elites. Where I managed to untie and marked a ductus in which I was finding a voice that announces my recognition as a migrant woman, daughter of teachers, young adult; which enables experiences and strengths in being part of this world through its ethnographic and creative strength.