La voz invisible que intenta salir de la oscuridad impuesta

Abstract

The Invisible Voice That Attempts to Emerge from the Imposed Darkness is configured as a monographic journal that intertwines the theatrical creative process with an intimate exploration of voice, invisibility, and stage experience. Originating from an encounter with Chilean director Luis Aros and his philosophical conception of “voice as a mode of existence,” the text unfolds through reflections that question traditional technical notions, revealing a sensorial, emotional, and transcendent dimension of the body on stage. Invisibility is addressed as both a social and existential phenomenon, imposed by normative structures that exclude what does not conform, but also as an act of resistance and self-protection. Through confessional writing, the author of the present work confronts her fears, academic self-demand, and internal judgment, recognizing how these affected her interpretive process. The theatrical production thus becomes a space of revelation and healing, where voice emerges not only as an artistic tool, but as a symbol of a subjectivity seeking validation. This document offers a critical and sensitive perspective on art as a medium to re-signify pain, presence, and the desire to exist from within the invisible.