Bitácora de la metodología y la construcción de un personaje por medio de elementos plásticos en el montaje Less 16
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This text narrates the process of registration in a weekly log of the methodology and the construction of a character, by means of plastic elements in the assembly of grade II LESS 16, in the Faculty of Arts ASAB directed by Sebastián Uribe Tobón. The work of reflection of the artistic processes that take place in the formation process of an artist is of great importance both for the construction of pedagogies of the arts supported and located in particular processes of creation, as well as for the student's own understanding of his or her work. In this case, it is about the reflection of the montaje de grado II, which has the particularity of being the closest thing to an experience in the professional field, outside the limits or precepts of the curricular program formation as such. This work builds its reflection through a "logbook", which is here a chronological series of events of importance for the construction of my own process, which focuses in this document on the construction of the character from the plastic elements. We begin with a text of my authorship making a reflection of my process in a poem where I collect my disposition and some factors of this written memory, continued with a series of chapters containing an introduction and justification of why this process of memory of the assembly is carried out, which seeks to generate a reflection and recognition of the objects on stage in relation to the character. Following with the record of the logbook, which contains reflections throughout the process of creation of the montage, the methodology of this, the creative process, questions regarding the construction of the plastic, how the objects and costumes on stage arise, some references to the text "Of the spiritual in art" by Kandinsky Wassily, 1911, as well as images of the process as a photographic gallery, making a recognition of the objects of the assembly, a presentation sheet of the constructed character, the elements that I use, the objects on stage of the staging in general, the skills and the acquired learning. I will address the methodology of the assembly, quoting the teacher Sebastián Uribe Tobón, who is in charge of conducting this creative process, continuing with the results of the creation log, the results of the plastic art of the work and finally some general conclusions of the process.
