El gesto facial del bailarín

Abstract

It is inevitable that the body divides physically of the head, so the dancer must use the body in the totality, when the majority of the dancers to observe must demonstrate that a permanent carelessness exists to the connection that exists between the body and the facial gesture, a clear example of this is the introverted, autistic and sometimes absent-minded look. This investigation, it tries to define how it is possible to study the facial gesture, across 8 different ways of interpreting the meaning of the gesture, between them; the condition of body, a complete body, an instinctive body, an extra-daily body, a three-dimensional body, a body evolving in the space, an expressed body, and an emotive body. It tries to contribute elements for the study of the training of the facial gesture in the interpreter of scenic arts specifically in dancers of contemporary dance.