Miradas indiscretas

Abstract

Is a reflective and artistic exploration of the human body as a space for aesthetic, emotional, and social investigation. Through personal experiences, dreams, sexual encounters, and everyday observations, the author reveals how the act of looking both inward and outward constructs and deconstructs the body, imbuing it with intimate and collective meanings. The narrative explores tactile, visual, and emotional perceptions, emphasizing the body's vulnerability, eroticism, fragmentation, and reconstruction through various artistic media such as photography, video, and installation. The work is enriched by references to artists like Hans Bellmer, Marcel Duchamp, and Nobuyoshi Araki, creating a bridge between the intimate and the public, the real and the represented. The text also examines the dynamics of watching and being watched, addressing the ethical, sensory, and symbolic dimensions of voyeurism and exhibitionism. The voyeur hidden observer is contrasted with the exhibitor, highlighting the tension between desire, control, exposure, and pleasure. The body is portrayed both as subject and object: a site manipulated by technology, art, and sexuality. The author concludes with a proposal for a video installation where the spectator becomes an active participant in the visual game, invited to engage with the intimacy of other bodies and their own, thus becoming both voyeur and part of the scene completing a cycle of sensory, artistic, and existential discovery.