Demos

Abstract

Perhaps capturing the notion of reality is the most difficult thing for me and some people my age. As a renunciation of the possibility of any collective reality, there is the alternative of putting the determinant "me", to speak of my reality. Having renounced the affirmation of a certain reality, severe and normal, only remains resigned to the anecdote fraught with uncertainties, ambivalences, uncertainties and ambiguities. Things happen and there are subjects present, however the thoughts and interpretations of each one regarding what seemed so obvious at the time it happened, will be affected, upset and unfocused, and when there is doubt it becomes difficult to believe that something is real absolutely. Various media offer the possibility of capturing a reality, memory, words, sound recording, photography and audiovisual image. However none does anything more real. Behind these means there is always a subject that enunciates, and the reality that it shows is mediated by its notion of reality, that is, by its particular way of thinking and interpreting it. When the intention is not to convince, or to enunciate truths, and reality is interpreted as a set of confusing events, memories and experiences, the possibility arises of triggering the real from doubt and using the means to construct a reality, as it is Records. The DEMOS project is the result of a process of archiving and editing of material obtained from the action of constantly documenting the closest reality, that shared with other subjects, in which there are confrontations and in which there are no principles or strong foundations. Through the writing of stories, photography and digital video recording, we try to recover that notion of lost reality, and at the same time leave a record of a moment, stage or age in which we have more doubts than certainties, is accciona Without reason and purpose and the reality is interpreted as a nothing irrepressible and difficult to think