El lenguaje visual: poética visual

Abstract

The theater, like others, is a visual art since it is perceived in the first instance by the sense of sight, that is why the subject with respect to which it is going to be treated is the reason for the importance in the theatrical image. At present, the cultural public that we have in our country, at least one ninety percent, cannot tolerate more than two hours watching a play, works that mostly they stick faithfully to the dramatic text. This is where the visual language appears to replace a text, which with a single image can say the same as the text and even more, depending on of what the actor manages to transmit; on the other hand, from this language the creativity of the actor grows through the creation of images. In principle, the concept of the image is replaced theatrical to that of poetic-visual, this is defined and then the montage of collective creation ‘’ War does not have the face of a woman ’’ directed by Jorge Prada, to enter analyze and highlight the poetic-visual, through interviews with spectators who attended some of the functions and also through blogs of some actors who experienced the process of collective creation from images.