Memoria archivada

Abstract

In the quest for a genesis, which gives me clues as to why this violent concern has arisen in me for those violent acts that have remained in impunity, I am always drawn to memories of my childhood and part of adolescence. I did not understand, because I was always certain memories in particular, until I allowed them to evoke them and only then, I realized the fundamental importance that anecdotal foundation has, since it is part of what Freud calls "direct mnemic images" That is to say, those memories that are directly related to the experience lived and retained in memory, by the emotional impact of a situation on the sensibility and "indirect mnemonic images" that are images constituted in the memory by stories after experiences or stories Of third parties (Perrés, 1999 & Serrano, 2005, p.6), who in my case, faced these events as victims. This writing is adopted and conceived under the idea of ​​archiving from the moment that each memory, idea and thought is materialized through the typesetting, where words are articulated to fix, print, consign ... on a surface, either virtual or The computer, or physical as paper, a prosthesis of what one day memory decides to forget, suppress or suppress. Therefore, experiences of family and friends that occur in a context of violence, driven by factic powers, with influences in productive sectors that control the world and which, collaterally, extend to Peripheral areas of domination, colonizing territories and riches, but also, thoughts and decisions, which are due, autonomous. As it is in our country, alienated to the decisions of the superpower, which affect those territories that guarantee raw material for the consolidation of their subsistence, from where they have witnessed displacements of thousands of communities, for the terror that has left their I pass the human eradication machinery. All this drives a way of acting in this society, which is built through ideological considerations and postures, exposed in this text, through referents to which I have resorted, for a progressive construction of thoughts and reflections that guide this action, on All as an artist aware of the existing conflicts in the context that lives and seeks to appropriate. That is why, I also consider this text as an intellectual support, in the process of construction, of those ideas that are shaping an appreciation and appropriation of that territory where I seek to exercise my territoriality. I also consider it as a first step in the construction and consignment of the printed reservation, of a memory that has begun to be re-constructed, under vivid, individual and collective events.