Joropo en dos movimientos basado en un canto de ordeño y golpe de gabán, para cuarteto de cuerdas frotadas y cuatro llanero

Abstract

This project proposes the composition of a work of joropo in two movements through a Canto Ordeño and one of the traditional beats of music llanera, gabán. This is intended to embrace one of the aesthetic of the twentieth century through Canto Ordeño as the Golden Ratio and the Fibonacci series, although it was implicit since ancient times, in fact was relevant during the twentieth century by composers such as Béla Bartók Anton Weber, Arnold Schoenberg and others. In turn, the use of unconventional writing widely used in the twentieth century by composers mentioned above. The use of baroque language through joropo, another type of concept that was within the composition, since we are in an age where we try to find similarities in our popular music over others, or experiencing other types of language, which many groups have already experienced through the rock, flamenco, Arabic etc. Currently the music tends to integrate elements of local tradition, indigenous to Western culture, through it the results are interesting and great contribution to both composer and performer, and that are generated other types of codes and tools.