Tramas

Abstract

The actors line up on stage. Theater directors acquire their tools as attentive spectators. The playwrights emerge from a curious mix between literature and stage practice. For many years dramatic writing was considered to belong to the world of paper, publishing houses, and books. In the 20th century, thanks to all the transformations experienced outside the walls of artistic creation, the text built from dialogues and stage directions is a tool to coexist with interpretation, lights, music, choreography, in short, with the staging. The texts that make up this volume were written in the heat of academic training in the city of Bogotá. HE They were conceived for specific interpreters or teachers, according to their needs and were transformed according to their urgency. Five dialogue pieces were written for students of the National School of Dramatic Art. Three, for workshop Casa Ensamble and five more for different creative moments of the Performing Arts Program of the Faculty of Arts-ASAB. His author, Sandro Romero Rey, has combined his literary and audiovisual work with the labyrinths of the scene and the rigor of the artistic formation. In the pages that follow there are two examples of how one can write based on groups of actors and actresses who are in the process of consolidating a vocation. After thirty years of work at ASAB, Romero Rey brings together here some unpublished examples of his passion for word scenarios.