1948: del big bang a la música callejera

Abstract

This project was born in the second half of 2013 and had two circumstances that motivated his existence. The first was to have met Edgar Espinoza who generated me a Important question How much academia "institutionalizes" artist? The second question You have to do with the way you build identity in public spaces: To what extent do the cultural manifestations on the streets reflect beyond the use of Space a tradition? Bearing in mind that this historic moment the streets and public transport have been Become musical scenarios, this is why the research process went through two Stages: the first was based on the historical context in order to understand where This tendency in the city, and the second stage consisted in carrying out a work of Field, which was based on sound records, photographic material and interaction With the musicians. The project has three plastic components: paint, sound in the Space and a digital memory with the most relevant aspects of the project, such as Photographs, recordings taken of the musicians, the transcription of them and a map Showing where the city was taken, the viewer will be able to access this Information through a QR code that will send you to the project link.