La acción en la obra "aquello que se escuchó" desde la mirada de la neurofisiología

Abstract

The research presented addresses the importance of awareness of the actions executed “in scene” during the creative process. It focuses on the neurophysiology of action from the theater, taking as a starting point the undergraduate production "Aquello que se escuchó", directed by Luis Aros. The main objective is to reflect on the efficiency of the actions that were performed in the work and the impact on the public, considering the diversity of action types and their capacity to impact the public. It seeks to explore a deeper connection with the audience and in this way activating their mirror neurons through the analysis of the logbook throughout the creative process with relation to specific theories that have allowed us to begin the performance arts training process.