Gustavo sorzano y el arte conceptual en colombia: tres momentos vitales
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Universidad Distrital Francisco José de Caldas
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Este artículo recoge avances de la investigacón Momentum y explora la producción conceptual de Gustavo Sorzano durante dos décadas. Para ello se vale de la indagación en tres periodos vitales del artista, delineados a través de la utilización de técnicas cualitativas con que se busca restablecer su papel pionero en el arte conceptual colombiano y encontrar las razones de su exclusión dentro del campo artístico nacional. Razones que puedan brindar pistas sobre la manera caprichosa y excluyente en que se estructuró dicho campo, dejando de lado, por ejemplo, las relaciones estrechas que mantuvieron muchos artistas con los mundos de la publicidad y el diseño.
This article presents research advances from Momentum and explores the conceptual production of Gustavo Sorzano over two decades. It dwells mainly on three vital moments of his career, which are explored through the use of qualitative methods which seek to restore the pioneering role of his work in Colombian conceptual art and discover the reasons for its exclusion within the national artistic field. These reasons may in turn provide clues on the capricious and excluding manner in which that field was structured, leaving aside, for example, the relationship that many artists hold with the worlds of publicity and design.
This article presents research advances from Momentum and explores the conceptual production of Gustavo Sorzano over two decades. It dwells mainly on three vital moments of his career, which are explored through the use of qualitative methods which seek to restore the pioneering role of his work in Colombian conceptual art and discover the reasons for its exclusion within the national artistic field. These reasons may in turn provide clues on the capricious and excluding manner in which that field was structured, leaving aside, for example, the relationship that many artists hold with the worlds of publicity and design.
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mimesis, properties – role of art, therapy, Wittgenstein, Arte conceptual colombiano, Gustavo Sorzano, crÌtica de arte, historia del arte