Mudra

Abstract

The "Mudras" project originates from a personal and introspective search. The author starts from an intimate experience with the movement of her hands, linking this gesture to a spiritual, symbolic, and artistic dimension that becomes the central focus of her artistic proposal. Through working with diverse materials and techniques such as engravings, ceramics, oils, and sculptures, she develops a self-referential visual language inspired by the concept of mudras, ritual gestures used in meditation and yoga. These mudras not only refer to the body, but also to energetic and dimensional structures, proposing an interpretation of art as a form of connection with other realities.

The "Mudric Object," a sculptural piece conceived as a mirror of reflection and transformation, condenses the author's vision: an art in constant mutation, incorporating notions of topology, rhizome, fractals, and formal transformation. In this proposal, mudras are understood as living, dynamic entities, impossible to define outside of themselves, that challenge traditional formal categories and evoke the infinity of becoming. From an existential and poetic perspective, the project argues that the true power of art lies in its capacity to be inexplicable and in its power to resonate in the silence of being.